Archive for the ‘Painting’ Category

Autumn, in painting and poetry

Friday, September 23rd, 2011
Autumn Landscape With Four Trees - Vincent van Gogh

Autumn Landscape With Four Trees - Vincent van Gogh

Autumn is here once again! The changing of the seasons is a favorite topic here at The Untended Garden, perhaps because so many artists have been inspired by the seasons.

Today I present a famous painting by Vincent Van Gogh, appropriately entitled Autumn Landscape With Four Trees (click the image for a larger view.) What’s most interesting to me about this painting is the ordinariness of the scene. He did not choose a majestic vista or mountaintop, as so many landscape artists do, he chose a clump of very ordinary, almost misshapen trees – one of them has even lost its leaves. And yet the artist saw something beautiful in them, and chose to immortalize this view forever, so that we could all experience this moment the way he did.

Likewise, Emily Dickinson captured her own particular notion of autumn in the poem below. Even though autumn is beautiful, she seems to say, it also portends a passing of time that is not so easily accepted.

* * *

As Summer into Autumn slips
And yet we sooner say
“The Summer” than “the Autumn,” lest
We turn the sun away,

And almost count it an Affront
The presence to concede
Of one however lovely, not
The one that we have loved —

So we evade the charge of Years
On one attempting shy
The Circumvention of the Shaft
Of Life’s Declivity.

– Emily Dickinson

* * *

The Winter’s Wind – a poem by Keats

Monday, January 3rd, 2011

As the new year begins, I present for you a poem by John Keats, inspired by a cold winter’s wind but encompassing so much more.

The image I’ve chosen to accompany the poem is a famous one by Casper David Friedrich called “The Wanderer Above the Mists”, painted around 1817. Obviously the artist is captivated by the misty mountains, but then why place a person in the very center of the image, blocking our view? And we can’t see his face, we can only wonder at who he is and what he is thinking. It’s this kind of mystery, along with the expert composition and technique, that make the painting great. There’s a bigger idea at work here, a puzzle that the viewer must unravel.

The poem is also open to interpretation, but I won’t even try to analyze it. I’ll let the poet speak for himself.

* * *

O thou whose face hath felt the Winter’s wind,
Whose eye has seen the snow-clouds hung in mist,
And the black elm tops ‘mong the freezing stars!
To thee the spring will be a harvest time.
O thou whose only book has been the light
Of supreme darkness, which thou feddest on
Night after night, when Phœbus was away!
To thee the spring shall be a triple morn.
O fret not after knowledge. I have none,
And yet my song comes native with the warmth.
O fret not after knowledge! I have none.
And yet the evening listens. He who saddens
At thought of idleness cannot be idle,
And he’s awake who thinks himself asleep.

– John Keats (1795-1821)

* * *

The untended garden

Thursday, October 7th, 2010

Vincent Van Gogh, "Landscape With Olive Trees"

What exactly is an untended garden?  The phrase often has a negative connotation, like Shakespeare’s “unweeded garden” overrun with foul things. We tend to think of nature as something that needs taming, otherwise it will take over and devour us.

But today in our shrinking world, it’s more important for us to understand and get along with the flora and fauna around us, for we’re all in this together – we need each other, whether we like it or not. If they die, we die, it’s as simple as that.

The mission of this blog is to explore how artists, writers, musicians, filmmakers and designers explore nature in their work. And I don’t mean simply how artists depict the beauty of nature, but how they plumb the depths and seek out its essence.

To draw something is to understand it better. Same with writing. I hope by highlighting artists with interesting and unique perspectives on nature, I can bring readers closer to the world around them, and inspire more artists to do the same. The world is an untended garden, but we must tend it carefully lest we kill it in the process.

Turner and the art of the seascape

Thursday, August 19th, 2010
The Slave Ship - J.M.W. Turner

The Slave Ship - J.M.W. Turner

J.M.W. Turner (1775-1851) was one of the greatest English painters of land and sea, and far ahead of his time. Many of his works are so wrought with raw color and emotion as to be nearly abstract.

The ocean has always been a subject for artists, though I sometimes wonder how far we have come since the 19th Century. Are any painters still exploring nature with the kind of vision that Turner had? I don’t mean just showing the beauty of nature, but really trying to get to the heart of it, to discover new ways of seeing it.

Many seascapes today are happy depictions of sun-soaked waves and smiling dolphins, which is all well and good, but only shows one side of the teeming, turbulent, mysterious ocean. Turner seemed to be searching for something deeper, trying to discover something that no one had ever seen before. One hundred and fifty years later, his paintings are still remarkable.

Fishermen At Sea - J.M.W. Turner

The Shipwreck - J.M.W. Turner

The Shipwreck - J.M.W. Turner

Stormy Sea With Blazing Wreck - J.M.W. Turner

Shipwreck of the Minotaur - J.M.W. Turner

Waves Breaking Against The Wind - J.M.W. Turner

Waves Breaking Against The Wind - J.M.W. Turner

Sunrise With Sea Monsters - J.M.W. Turner

Sunrise With Sea Monsters - J.M.W. Turner